Green Beret - Out of Control CD
PRO009

01 - Night Of The Hunter
02 - Heads Are Mounted On The Wall (mp3 available)
03 - Slip & Fall Of Death
04 - 100 Talons
05 - Frostbite Of Death
06 - Bury The Hatchet
07 - Chinese Fingertrap Of Death
08 - Bonesaw Vigilante
09 - Life Of Death
10 - 31 Flavors Of Death
11 - Night Havoc
12 - War Machine
13 - 'Tis Merely A Fleshwound
14 - The Garden Of Green Beret Part One (The Secret Fertilizer)
15 - Chinese Fingertrap Of Death
16 - War Machine
17 - Bonesaw Vigilante
18 - Heads Are Mounted On The Wall
19 - His Hero Is Green Beret
20 - Blood Harvest
21 - Dogbite
22 - Where Have All The Flowers Gone?
23 - What U Need
24 - Chainsaw Of Death 97
25 - Malicious Cha Cha
26 - Garden Of Green Beret Part One (The Secret Fertilizer)
27 - Spice Up Your Life (Spice Girls)
28 - The Garden Of Green Beret: A Macabre Mock Opera In Five Parts
29 - 'Tis Merely A Fleshwound
30 - Take The Physical Challenge
31 - The Man Under The Beret
32 - Facial Apocalypse
33 - Trouble
34 - Mad Dog Studebaker
35 - Now You Die
36 - Commando
37 - Train Smash
38 - Death March
39 - McMassacre (Macabre)
40 - Elbow Dropping Mania
41 - Charge!
42 - Green Beret Theme
43 - Chainsaw Of Death
44 - Ambushed With A Meathook
45 - Doctor Death
46 - Boot Camp
47 - Festering Boils (Repulsion)
48 - Frostbite Of Death
49 - Elbow Dropping Mania (Blood N' Guts Remix)
50 - Me, Myself, And Eye Gouging
51 - Fuckin' Trenchfoot
52 - Dogbite!!
53 - No Clip Is Full Enough
54 - Cap 'n Crunch
55 - Relationship
56 - Defenestration Of Blog (W/ Electrocutionerdz)
57 - Unknown Song Title (W/ Electrocutionerdz)
58 - A Side Of Homicide
59 - Electric Power Surgeon
60 - Beret Of Death!
Reviews:
Braindead - Green Beret was a completely awesome and insane band that played fast grindcore incorporating synthethiser sounds... It has a raw, frantic energy and vitality that reminds me of early S.O.B. style thrashcore ("Leave Me Alone"...) mixed with the jazz/grind schizophrenic double-personality of Scrawl... The noisecore aesthethics and eccentric song structures seem to be of straight out of Sore Throat's "Disgrace to the Corpse of Sid" too... So the basic formula of Green Beret is grindcore at times bordering on noisecore with devastating blasting beats, ear-piercing shrieks, whacked out shouts coming crashing down on very unconventional and pretty comical video-game style synth keyboard parts and sound effects that wouldn't be out of place in a 60's sci-fi flick! Hilarious samples from Monthy Python's Holy Grail, Desperate Living, etc... are also thrown in the mix to great effect... This band sounds completely insane and chaotic but it all works and songs are always quite well-crafted, the riffage in the grindcore parts is solid and the comedy aspects are mostly refreshing. One particular song "The Garden of Green Beret: A Macabre Mock Opera in Five Parts" has no metal aspect to it whatsoever, it actually sounds like a song off the soundtrack from "Meet the Feebles"! This particular release is a kind of retrospective cd containing most of now defunct Green Beret's recordings (except a s/t cd which I really need to check out...), meaning various sound qualities, various degrees of raw, but it's quite clear, sharp sounding raw if that makes any sense... Only a couple of the tracks near the end of the cd are close to harsh noise (maybe intentionally so?)... My favorite tracks are the opening tracks which feature tight-as-fuck real live drumming... A drum-machine is used on some of the earlier stuff which still sounds excellent but you know... just not the same... Anyhows, these are nearly 80 minutes of pure grind/noisecore madness that come highly recommended.

Diabolical Conquest - Splendid! Another nice collection of hard-to-find Grind, this time featurin' Green Beret, gathered from the back-catalogue of the Alabama band by Prolapse Records, the infamous Australian label who also brought us fun compilations o' stuff by Undinism and Kryptosexual Cancroid. The title of this one is highly appropriate, seein' as this is idiosyncratic Grindcore/Powerviolence with zany ideas, absurd themes ‘n' quirky style. There are sixty tracks on this CD, so I think I'll try and keep this critique as short ‘n' as sweet as I can, rather than goin' into reams ‘n' reams o' detail about each individual song.
It's the very essence of noisy Comedygrind, but don't let that put you off, this isn't a group of red-eyed also-rans arsin' about in a garage usin' puerile humour and crap Gore song titles to conceal their lack of ability, inspiration and character. Instead, the band use generous splashes of tongue-in-cheek humour to liven up the muggy landscape. Their robust Grind groundwork o' coarse guitar, annihilative drum-prog, rabid vox and blisterin' tempos is offset with lots o' extremely twee electronic twiddle-twaddle, raucous outbursts of impractial racket, entertainin' samples and a comical delivery, plus there are steamin' great handfuls of silly, bright-red shrieks and hungry troll grunts everywhere!
Out of Control encompasses eleven recordin' sessions and the element of ridiculousness is consistent throughout. Although it's vicious, blastulated and crushin', it's wacky, it's happy go lucky, it's over the top and it'll have you rollin' about the floor in fits o' unstoppable giggles! Hilarious highlights include a grindin' tribute to The Black Knight from Monty Python and the Holy Grail, an upliftin' Spice Girls cover version and a track which contains a highly chucklesome Green Beret mock opera in its entirety. Imagine a gang o' fun fairy-tale ogres poppin' out o' their caves brandishin' knobbly clubs ‘n' bommy knockers, then gatherin' round to dance a merry jig and sing some very silly songs indeed. Bloody preposterous!
To form a forcible foundation,
Green Beret take the speed-smitten rhythms and quick-fire vokill yammer of stuff ol' Cryptic Slaughter and DRI, then combine them with the hostile, ugly riffage of Terrorizer and early Death, callin' in at Slap-a-Ham to borrow a few bits o' Capitalist Casualties and Crossed Out, afore swathin' the whole thing in the unabashedly daft overtones of such novelty acts as Gronibard and Purulent Spermcanal. More than a few of the vokill patterns remind me of maybe Macabre and perhaps Gut as well, whilst the cranium-squelchin' barrage o' migrane-inducin' screams and monstrous, improvised din reminds me of classick Intestinal Disgorge and Dwarfophile.
Although we have almost a dozen different recorded works here, the production doesn't vary quite as much as I'd imagined; the guitar sound is dry, lo-fi and grainy and the drums sound cumbersome ‘n' mechanical while the searin' hot vokills and cheeze-laden synths cut right through the frizz, shove their way to the front and make an even bigger mess o' the whole thing.
f you're into stern, head-down Grindcore, then I strongly suggest you steer as clear possible of this compilation, ‘cause this is an extremely light-hearted escapade. Although it has the grindin' nerve to shear your head off, it also has enough asinine sentimentality to excoriate the enamel off of your molars. A quote from Chris Morris ought to wrap this up nicely. ‘If you've recently taken an emotional nose-dive into a deep hiberal gloom, then this might be just the philip you need'. Purely a fun thing.

Nuclear Abominations - Oh wow, this shit is VERY noisy and deranged in a funny way! My first thoughts when reading "Green Beret" in Atari-like fonts were about Konami's shoot'em up arcade of the same name, ah good days of knife fights after coming back from school! I wonder if this is really such a stupid association, becouse this is unpredictable noise-grind in its purest form, with yells, cat meows and computer effects adorning a fine work of noisy shit a bit a la Agoraphobic Nosebleed but somewhat more concrete, maybe more in the Minch / Schnauzer / Pile of Eggs / Melt Banana way. Whacky but thoroughly enjoyable in its moments of extatic demence. There is some of the sordid humour of mid 80's trhascore crossover of bands like Spazztic Blurr or Adrenalide O.D. here (add Macabre), but faster and more schizphrenic, in tune with this age. When the riffs are clear and not overcome by dozens of idiot sampling, they're good punk/hc stuff, but it's the blur of keyboard based tricks and samples that give this band some special extra edge. The vocals are a combination of strangled yells, punk shouting and ironic laments, while the music, well, it just doesn't follow strict schemes, but it's really well made, and relatively easy to listen compared to exreme eastern acts suck as Niku-Do-Rei, probably becouse fundamentally every track has a definite, moshing grindcore structure if you strip them of all the embellishments. I enjoyed this Cd quite much, it's nasty and weird but not in a stupid way. Humorous but not cheap if you know waht I mean. This is acomplete collection of 60 fucking tracks, so if you want to hear this band this is the way to go. Some tracks towards the ened are really noisier and more brutal, I'd dare saying on the verge of industrial-pwer noise, and you also get a real special track (28) that holds a whole tape release. Real worth checking out. I feel ashamed for not owning anything else by this band, I never wondered it was so good.